The website, FIGU and the interested community generally, recommends harmonious forms of music. Folks should probably calm down before finding all this information and reading it, but it doesn’t always happen in that order. You’ve found it now anyway. Enjoy peaceful, tuneful classical and pleasant-sounding music while you read, or perhaps while you do other things...
INTRODUCTION - MUSIC RELEVANT EXCERPTS
Contact Report 634 extract.
What today's youth, and even many adults today, 'treat themselves to' with regards to 'music', is catastrophic and no longer has anything to do at all with good, harmonious music. It is no more than explosives, which make the ears deaf and also poison the consciousness as well as the world of the thoughts, feelings and psyche and even makes the body sick.
Contact Report 611 extract.
It's not only known about by us Plejaren, it's also known about with the human beings of Earth too. The might of music has been known since ancient times, particularly with the terrestrial peoples of the ancient advanced civilisations, who knew that the might of good, positive music helped civilisations to boom, [continue reading]while, in turn, negative, bad music, sealed their downfall. Primarily, great philosophers knew about the might of the music and its influence on the society, this both in relation to the rise and also to the downfall of civilisations. However, they also knew about the might of harmonious, good and positive music, through which the intelligence could be promoted and the psyche refined, or that through disharmonious-negative-bad music much terribleness had been wrought, to which entire advanced civilisations fell victim. However, they also knew that in the brain of the human being, under certain circumstances, music calls forth frequencies similar to hypnosis, and indeed both in the good and positive as well as in the evil and negative. The human beings of the ancient advanced civilisations were clearly aware that through good, harmonious and positive music, the human ability to learn increases enormously and also the character as well as the good and positive modes of behaviour become refined. For the human being, music is one of the most important factors of life regarding the formation of his/her thoughts, feelings and the psyche, because it imparts to him/her a value-consciousness, but unfortunately, not only in the good and positive, but also in the evil, negative and bad. If the value and the might of the harmonious music are set highly, then the human being also feels uplifted and feels impulsations of equalisedness, love, peace and freedom in himself/herself, whereby in the same wise also his/her morals and modes of behaviour are equally formed. However, if the music is disharmonious, inferior to completely valueless, then the human being becomes pressed down by aggressiveness and unequalisedness and finds no access to real love, to true peace and open freedom, nor to a valueful moral state, nor to corresponding modes of behaviour. And on Earth today, exactly this evil, negative and bad form prevails among countless human beings of Earth of all ages because they are ensnared by the might of this malicious and disharmonious music, which, since the 1980s, has been deemed to be 'modern' and transfixes all those human beings of Earth who in themselves are aggressive, unequalised, unhappy, unorderly, abusively negative, unsatisfied, often conscienceless, rebellious, even malicious and irrational. The human beings of Earth should therefore follow the example of a child, because as long as they are not influenced in a bad wise by evil, disharmonious, negative and bad music, they are open to good, harmonious and positive music. Thus, if the child is observed, then it is to be said with respect to this, that the child, at least as long as he/she comes in contact with normal, good, harmonious and positive music, is better able to perceive certain nuances in the communication, and indeed fully independently of whether he/she can enjoy any good music lessons or not. This indicates that through the music, the child can learn to pursue his/her own thoughts, feelings and emotions, and is able to sense whether or not everything is right with other human beings through the sound of their voices. However, the world of music and its tones enables not only the child, but also the adult human being to better understand his/her surroundings and to communicate with fellow human beings. Among us Plejaren, for millennia it has no longer been a secret how much music promotes the development of the human being in many areas, also cognitive, mental, emotional and social capabilities.
...From this it also can be recognized that among the countless noises occurring in nature, many sounds and tones appear, which sound harmonious and fundamentally already embody a structure of music.
Contact Report_248 extract.
People always arrange music according to their evolutionary insight and cognition, as well as according to the corresponding feelings and thoughts, ethics and consciousness, and so therefore, according to the character of the personality. [continue reading]
23. In addition, it is to be frighteningly noted with the people of the Earth that they make so-called music that truly has nothing at all to do with music and that influences the psyche and the consciousness so destructively that the worst disharmony arises.
24. But this so-called music is the reflected likeness of those who produce or listen to it, whose psyche is agitated and destroyed and whose evolution is frighteningly stagnated, in that these people are hostile to life and incapable of sustaining their own lives, and they stroll along the path of massive destruction.
25. This music, which is nothing more than a screaming disharmony, emits the worst destruction, contempt for mankind, contempt for Creation, the will for destruction, and the disregard for human rights and the rights of life.
26. This, in contrast to truly harmonious music, which develops the psyche and evolution, which is affirmed in a life of respect for human beings and respect for other life forms, in compliance with the life-promoting laws and commandments.
Contact Report 620 extract.
...related to the sounds, tones and music in nature. It's the case that all other life forms are affected by it and even all coarse-substantial and fine-fluidal material as well as all that which is high-fine-fluidal, throughout the universal expanse. [continue reading]By means of these sound and tone swinging waves, all plants and all life-forms in general move, as well as all atoms and all more minute substances, as also all planets, suns, comets, meteors, nebulas and asteroids and so forth, wherethrough they generate a kind of music that is attuned to each of their kind, which I want to describe as musical whooshing and humming throughout the entire universe, whereby therethrough also a certain healing power is emanated in many ways. Therefore, also every life form, no matter what genus or species, is hit by these universal-energetic musical-swinging-waves together with the cosmic-electromagnetic life energy, and, according to its own individuality, sends out harmonious or disharmonious sounds and tones that I will also describe as a form of music. Already your father Sfath has explained all that to me in this wise.
INTRODUCTION - MUSIC RELEVANT EXCERPTS - SOURCE
Source: FIGU-Landesgruppe Australia article Effects of Good and Bad music (external) - a lengthy page with a collection of contact reports translated to English which are relevant and related to music.
List of best music artists
Search for any of these names on the internet for their music. These youtube links will open in the ipad app if you have it.
ClassicFM (External website) - Classical and traditional music live radio.
Johann Sebastian Bach
Wolfgang Amadeus Mozart - Romanze: Andante (Youtube external link)
Ludwig van Beethoven - ‘Pastoral’ Symphony No. 6 in F major, Op. 68 (Youtube external link)
Herbert Leonard Stevens - Romantic Interlude (Youtube external link)
Franz Schubert - Serenata (Serenade) D.957 (Youtube external link)
Georg Friedrich Händel
Piotr Illitch Tchaïkovsky - Waltz of the flowers (Youtube external link)
Aram Il'yich Khachaturian - Adagio of Spartacus and Phrygia (Youtube external link)
Sergej S. Prokofiew
Dmitri Shostakovich - The Second Waltz. Op 99. (Youtube external link)
Claude Debussy - Arabesque. No 1 & No 2. (Harp) (Youtube external link)
Giovanni Pierluigi da Palestrina
List of symphony orchestra music
ClassicFM (External website) - Classical and traditional music live radio.
John Wilson Orchestra - Rhapsody in blue, BBC Proms 2016 (Youtube external link)
Vienna Philharmonic Orchestra - Schönbrunn Concert 2018 (Youtube external link)
Ravel - Bolero, BBC Proms 2014 (Youtube external link)
BBC Proms 2010 Royal Albert Hall, Orchestra Cinema (Youtube external link)
BBC Proms 2007 Royal Albert Hall, Anna Netrebko Joshua Bell J. Bellochlavec (Youtube external link)
Concert du Nouvel An 2012, Soirée de Gala, Réveillon autour de Verdi (Youtube external link)
Wolfgang Amadeus Mozart, Gala from Salzburg, Austria (Youtube external link)
Maria Callas Opera Arias: La Traviata, Norma, Madama Butterfly, Lucia di Lammermoor (Youtube external link)
Blossoms on a Moonlit River in Spring (华韵群芳《春江花月夜》) Central Chinese Orchestra (Youtube external link)
Joe Hisaishi (25 years concert) Budokan Arena, Tokyo, Japan (Youtube external link)
Ludovico Einaudi, Royal Albert Hall 2010 (Youtube external link)
BBC Proms 2011 Benjamin Grosvenor plays Britten's Piano Concerto (Youtube external link)
BBC Proms 2017, Last Night of the Proms, Royal Albert Hall (Youtube external link)
Hans Zimmer - Time, Live in Prague, Orchestra (Youtube external link)
Antony Hermus, Hans Zimmer Interstellar suite - Danish national symphony orchestra (Youtube external link)
Geoff Knorr, Griffin Cohen, Michael Curran, Grant Kirkhope - The Future Of Mankind (Youtube external link)
Concert Netrebko 2011, Kaufmann, Schrott, Armiliato, Orchestra (Youtube external link)
Ronan Hardiman - Celtic dream (lord of the dance) Irish music (Youtube external link)
List of examples of other styles of peaceful music
Richard Rodgers - Edelweiss (YouTube external link)
David Lewis Luong - Isle of Aloha (YouTube external link)
Oceanlab - Miracle (YouTube external link)
Engelbert Humperdinck - From Here To Eternity (YouTube external link)
RelaxDaily - No089 (YouTube external link)
Above and Beyond - Good For Me (Youtube external link)
Katie Melua - I Will Be There (YouTube external link)
Keiko Matsui - Tears Of The Ocean (Youtube external link)
Kitaro - Journey (Youtube external link)
文章。- 古月照今塵 (Youtube external link)
Anoushka Shankar & Karsh Kale - Sea Dreamer (Feat Sting) (Youtube external link)
Llewelyn - The Healing Mists (Youtube external link)
Yanni - Guilty Pleasure (Youtube external link)
Yanni - Felitsa (Youtube external link)
George Davidson - I Want To Spend My Lifetime Loving You (Youtube external link)
Morcheeba - Riverbed (Youtube external link)
Fenomenon - Pacific Memories (Youtube external link)
Zero 7 - The Space Between (Youtube external link)
Gustavo Santaolalla - Motorcycle diaries (From Usuahia to Quiaca) (Youtube external link)
Andreas Vollenweider - The woman and the stone (Youtube external link)
Waylon Jennings and Willie Nelson - Mammas Don't Let Your Babies Grow Up to Be Cowboys (Youtube external link)
Kenny Simeone - Southern Style Smokey Mountains (Youtube external link)
Kinobe - Heartstring (Youtube external link)
Blue Solar - Believe In Me (YouTube external link)
Mark Isham - In A Silent Way (Milestones) (Youtube external link)
Vangelis - Ask The Mountains (Youtube external link)
The Carpenters - We’ve Only Just Begun (Youtube external link)
Patrick Swayze - She's Like The Wind ft. Wendy Fraser (Youtube external link)
Sade - By Your Side (Youtube external link)
George Michael - To Be Forgiven (Youtube external link)
The Stylistics - You’ll Never Get To Heaven (If You Break My Heart) (Youtube external link)
Peabo Bryson - Can You Stop The Rain (Youtube external link)
Coldplay - High Speed (Youtube external link)
Above and Beyond - Acoustic Full Concert (YouTube external link)
Unknown artist - Unknown song (Relaxing waterfall guitar music) (Youtube external link)
Divine tone, creative tone and 432 hertz music
The reasons 440 hertz tuning was chosen as the standard is a matter of some debate.
The opinion is that 432 Hz music, when compared, sounds: completed, correct, peaceful, rich, rejuvenating and sunlike.
Conversely and comparatively, 440 Hz tuning sounds: uncomfortable, oppressive, narrow-minded, unpurified, disintegrated.
Excerpt from FIGU Zeitzeichen 100, 4th August 2018.
Special information on this: BEAM said in July 2018, in response to a question on this subject, that there is a thoroughly realistic connection between the so-called 'divine tone' or the 'creative tone' and the so-called 432 hertz music.
The 440 Hz philistine
Source: https://globalnews.ca/news/4194106/440-hz-conspiracy-music/ - edited and shortened.
Written by: Alan Cross.
Gather around ladies and gentlemen. What I’m about to tell you will shake your faith in all the music you’ve heard in your life.
If musical performances were to sound the same the world over, some standardisation was required. As early as 1885, the Music Commission of the Italian Government declared that all instruments and orchestras should use a tuning fork that vibrated at 440 Hz, which was different from the original standard of 435 Hz and the competing 432 Hz used in France.
In 1917, the American Federation of Musicians endorsed the Italians, followed by a further push for 440 Hz in the 1940s. [continue reading]
In 1953, a worldwide agreement was signed. Signatories declared that middle “A” on the piano be forevermore tuned to exactly 440 Hz. This frequency became the standard ISO-16 reference for tuning all musical instruments based on the chromatic scale, the one most often used for music in the West. All the other notes are tuned in standard mathematical ratios leading to and from 440 Hz.
This tone standard is now universally accepted, which is why a piano in Toronto sounds exactly the same as a piano in Tokyo.
No one can say for sure why this frequency was chosen in the first place. In fact, there are those among us who vehemently disagree with this standard, they consider the 440 Hz middle “A” to be an abomination against nature.
Adherents to this theory claim that a more “natural” frequency for middle “A” is 438 Hz. Others believe that the correct middle “A” is 432 Hz (also known as Verdi’s A) because it has “a pure tone of maths, fundamental in nature” and is “mathematically consistent with the patterns of the universe, vibrating with Phi, the Golden Ratio”. They point to how this pitch can be connected to everything from nautilus shells to the works of the ancestors, including the original construction of the Great Pyramid.
Furthermore, 432 Hz resonates with 8 Hz (the Schumann Resonance), the documented fundamental electromagnetic “beat” of Earth. It just feels better.
Research indicates that music tuned from this frequency is easier to listen to, brighter, clearer, and contains more inherent dynamic range. As a result, music with this tuning need not be played at higher volumes and thus reduces the risk of hearing damage.
Here’s where the conspiratorial component manoeuvres into position. There is allegedly something sinister going on with 440 Hz. It is said that the Rockefeller Foundation had an interest in making sure the United States adopted the 440 Hz standard in 1935 as part of a “war consciousness” leading to “musical cult control.”
Without going too far down this avenue, this theory says that tuning all music to 440 Hz turns it into a military weapon.
I quote from one of the many online articles on the subject:
“The monopolisation of the music industry features this imposed frequency that is ‘herding’ populations into greater aggression, psychosocial agitation, and emotional distress; predisposing people to physical illnesses and financial impositions, profiting the agents, agencies, and companies engaged in the monopoly.”
You can carry on reading the article at the URL link in the title.
- FOM Note: video reported as out of tune, using wrong frequencies and notes.
And now for something we can agree on
Source: http://au.figu.org/content/FLAU%20B-14.pdf - FLAU Bulletin 14, October 2016.
Translated by: Vibka Wallder
|Simply listening...||Einfach zuhören...|
|From ‘To Live Life Rightly’, pages 36 - 37
© BEAM 2014
|Aus ‹Das Leben richtig leben›, Seiten 36 - 37|
© BEAM 2014
|Very many human beings grow lonely just because they have nobody who listens to them when they want to talk about their worries and problems and about the life and the world. And there are even many who have the need to communicate with others without expecting an answer or a piece of advice. There are very many human beings who are simply searching for somebody who listens to them and does not make out to know everything better straight away or gets on their nerves with his/her ungraceful know it all attitude. They are looking for someone who merely sits there silently and does not do anything other than listen, or who only speaks when he/she has been asked to do so. However, that is not surprising when it is considered that it means a lot to many to get out of the bubbling cauldron of their thoughts, which they simply do for the reason of being able to talk to somebody. They just want to talk and express their thoughts and feelings in order to unburden themselves from everything that has pent up in their thoughts and feelings and which calls forth the need to unburden themselves from it, indeed by being able to talk with others who simply listen to them. And actually it is the case that they do not search for discussions and not for solutions and advice, rather simply for an understanding fellow human being, who takes a few minutes of his/her time in order to pay attention and listen to them.||Sehr viele Menschen vereinsamen allein dadurch, weil sie niemanden haben, der ihnen zuhört, wenn sie über ihre Sorgen und Probleme und über das Leben und die Welt reden wollen. Und gar viele sind es, die das Bedürfnis haben, sich anderen mitzuteilen, ohne eine Antwort oder eine Ratgebung zu erwarten. Sehr viele Menschen sind es, die einfach jemanden suchen, der ihnen zuhört und nicht gleich alles besser wissen will und ihnen nicht mit plumper Besserwisserei auf die Nerven geht. Sie suchen jemanden, der nur stumm dasitzt und nichts anderes tut, als zuzuhören, oder der nur dann spricht, wenn er darum gebeten wird. Das aber ist nicht erstaunlich, wenn bedacht wird, dass vielen sehr daran liegt, aus dem Hexenkessel ihrer Gedanken hinauszugelangen, was sie einfach nur dadurch tun, um mit jemandem reden zu können. Sie wollen nur reden und ihre Gedanken und Gefühle zum Ausdruck bringen, um sich dadurch on all dem zu erleichtern, was sich in ihren Gedanken und Gefühlen angestaut hat und das Bedürfnis hervorruft, sich davon zu erleichtern, eben dadurch, dass sie mit anderen reden können, die ihnen nur zuhören. Und tatsächlich ist es so, dass sie nicht nach Diskussionen und nicht nach Lösungen und Ratgebungen suchen, sondern einfach einen verständigen Mitmenschen, der sich einige Minuten Zeit nimmt, sich ihnen zuzuwenden und ihnen zuzuhören.|
|It does not have to be the case that the listeners are clergymen, who practise the listening only for religious or sectarian reasons and in anticipation of alms or a bequest. And it also does not have to be the case that listening is practised in a private or organised wise or in a purely professional wise and payment is accepted for it. Listening must, and is allowed to, occur solely out of love for the ones next to oneself, out of love for the fellow human being and in joy, joy at the fact that a fellow human being can be listened to, he/she can be helped thereby and loneliness prevented. And even if the human being of the present time lives a completely hectic life and only greedily chases the mammon, he/she still always finds enough opportunity and time for listening. Thereby it may also be that courage is given to someone who falls into difficulty, hesitates and does not know how, where and with what he/she should begin with his/her speaking. And if he/she finds the way to speaking then part of it is not only paying attention to his/her words but also to that which very often lies hidden behind them. These hidden things very often are anxiety and fear, unrest, vexation, loneliness, grief and worries, as well as hate and thoughts of revenge and retaliation and equally directed feelings, however, also purely private, professional, legal or societal difficulties, and so forth.||Es muss nicht so sein, dass Geistliche die Zuhörer sind, die das Zuhören nur aus religiösen und sektiererischen Gründen und in der Erwartung eines Scherfleins oder einer Erbschaft betreiben. Und es muss auch nicht sein, dass in privater oder organisierter Weise oder in rein berufsmässiger Weise ein Zuhören ausgeübt und dafür noch ein Entgelt genommen wird. Ein Zuhören muss und darf einzig und allein in Nächstenliebe erfolgen, in Liebe zum Mitmenschen und in Freude, Freude daran, dass einem Mitmenschen zugehört, ihm damit geholfen und eine Vereinsamung verhindert werden kann. Und auch wenn der Mensch der heutigen Zeit in voller Hektik lebt und nur gierig dem Mammon nachjagt, so findet er doch immer genug Gelegenheit und Zeit zum Zuhören. Es mag dabei auch sein, dass jemandem Mute gemacht wird, der in Verlegenheit verfällt, zaudert und nicht weiss, wie, wo und womit er beginnen soll mit seinem Reden. Und wenn er den Weg zum Reden findet, dann gehört auch dazu, dass nicht nur auf seine Worte geachtet werden sollte, sondern auch darauf, was sich sehr oft genug hinter ihnen verbirgt. Diese verborgenen Dinge sind sehr oft Angst und Furcht, Unruhe, Ärger, Einsamkeit, Kummer und Sorgen, wie aber auch Hass und Rachesowie Vergeltungsgedanken und gleichgerichtete Gefühle, wie aber auch rein private, berufliche, gesetzliche oder gesellschaftliche Schwierigkeiten usw.|
|As a listener one must learn to overcome the impatience, wherefore especially often older human beings are the best listeners, because they have risen above the impatience and have overcome it. Also many older human beings, due to the length of their journey through life, have learned very much in regard to being human from the inexhaustible fullness of the negative and positive as well as the good and bad life experiences. They have gained love, joy, peace, freedom, harmony and equalisedness, thus many younger and older human beings come to them, place their trust in them and talk about that which burdens them, after which they confidently go away again because simply they have been listened to silently.||Als Zuhörer muss gelernt werden, die Ungeduld zu überwinden, weshalb besonders oft ältere Menschen die besten Zuhörer sind, weil sie über die Ungeduld hinausgewachsen sind und sie überwunden haben. Auch haben viele ältere Menschen auf der Länge ihres Lebensweges aus der unerschöpflichen Fülle der negativen und positiven sowie der guten und bösen Lebenserfahrungen sehr viel in bezug auf das Menschsein gelernt. Sie haben Liebe, Freude, Frieden, Freiheit, Harmonie und Ausgeglichenheit gewonnen, so viel jüngere und ältere Menschen zu ihnen kommen, ihnen ihr Vertrauen schenken und darüber reden, was sie belastet, wonach sie zuversichtlich wieder fortgehen weil ihnen einfach stumm wieder fortgehen weil ihnen einfach stumm zugehört worden ist.|
Download any file from here (search for "mp3").
Old mediawikiplayer information.
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- "Edelweiss" is not the national anthem of Austria, but an original composition created for the musical The Sound of Music. The Austrian national anthem is "Land der Berge, Land am Strome" ("Land of the Mountains, Land on the River").
- "Twinkle, Twinkle, Little Star" was not composed by Wolfgang Amadeus Mozart when he was 5 years old; he only composed variations on the tune, at the age of 25 or 26.